All Fly Home - Premium Travel & Home Essentials for Comfort & Style | Perfect for Vacations, Camping & Cozy Living

ALL FLY HOME is, in my opinion, Al Jarreau's jazz masterpiece. Incorporating all three words of the title into a loose "concept" album weaving a tapestry around the words and infusing his vocalese (invented by Eddie Jefferson and popularized by Al and Manhattan Transfer) jazz stylings and Fitzgeraldesque scats with just enough pop and classical splashes to create a real work of art. The Beatles She's Leaving Home then becomes a centerpiece of this work interpreting the ALL FLY HOME motif in an exciting new manner, and Redding's Dock Of The Bay ends the trip comfortably home at last and contemplating whether or not the journey was indeed a waste of time.While 81's BREAKIN' AWAY is a terrific record with just as much jazz as pop influence, it lacks the artistic genius (save for Roof Garden and his wonderful interpretation of Brubeck's Blue Rondo) to be found on ALL FLY HOME. What Al does on this album is for vocalese what Miles' Pangea/Panthalassa phase did for fusion jazz, he creates a new sound garden in which to walk. Al Jarreau and George Benson created more fields of crossover jazz than probably anyone else in the industry, they both, during the same period, stepped commercial listeners easily over the boundaries from pop to jazz and as is hinted at in other reviews, probably are most responsible for the "smooth jazz" genre which would popularize in the 80's.Regardless if you are a diehard jazz fan who hates this kind of music and snub you nose at words like "fusion" and jazz-pop, you have to understand that jazz IS, WAS, and ALWAYS HAS BEEN about fusion. Go all the way back to the big band era and you will find jazz bands and world class jazz artists, infusing "pop" songs and "classical" motifs into the melodies which jazz by nature improvises on. Brubeck and others in the 50's became famous for noodling on pop tunes like Jeepers Creepers and Pennies From Heaven. What Miles did on Bitches Brew, what Coltrane did with "Eastern Classical" and what experimenters like McLlaughlin and even Santana did in the early 70's, this isn't "fusion" jazz! That's like calling it Jazz Jazz because jazz IS fusion by its very nature, so leave off ridiculing artists like Jarreau and Benson and Metheny and Di Meola or Ponty. Al Jarreau belongs in the ranks of these men and is tops of his craft, and ALL FLY HOME is top of his art, pinnacle of his creativity, and one of the best darned albums to be released in the 70's under any genre!My original vinyl album was an MFSL (Mobile Fidelity Sound Lab) direct to disc master recording with incredibly awesome sound. I urge anyone contemplating purchasing this CD, if they are anything of an audiophile, and if you have the patience to wait a month for your purchase, to avail yourself of the 2014 limited edition 24 bit Japanese remastering import version (sold here on Amazon ASIN: B00K0PDRE6), as you will be astounded by the audio quality which is as close to (if not better than) the MFSL version as you can get.Fantastic Sound!If you are a fan of the kinds of music and artists discussed above, I recommend you purchase this album blind without reading too much reviewing and interpreting of the tracks on this album, take the plunge and enjoy this treat as a big surprise. It is essentially incomparable with other jazz works which makes it unique in its own genre. If you enjoy the real "jazz" sets from BREAKIN AWAY then this album will take you miles further on the journey, and again, if you enjoy high standard definition in your recordings, this import is the version to own. FLY and enjoy!